In comparison, Morocco doesn't seem to have the same movie theatre culture. Moroccans certainly enjoy films, as evidenced by the roving vendors of pirated DVDs that are on just about every street in Rabat. There are only two movie theatres in Rabat, and the selection of films is limited. The Institut Francais de Rabat sponsors a film each week, which is reasonable. There are more theatres in Casa, however. Apparently, there's a district with theatres that only show pirated films. There, it's possible to see American films before they come out it America, it seems.
I've asked Moroccan friends if they think this disrespect for intellectual property is holding Morocco back, since what is evident in the world of cinema is surely evident in other realms too. The answer is always "no", but I admit to having a hard time knowing what's to be gained, in the very least by permitting theatres to operate that way. In Sidney Poitier's memoires, he mentions sneaking into the theatres as a child since he couldn't afford to pay for a ticket. Perhaps saving Moroccans the humiliation of sneaking around is worth something. It's difficult, however, to see how a laissez-faire attitude toward intellectual property will benefit the country in the long run.
1 comment:
There also seem to be major problems with piracy in China as well. I wonder if, as people have more money to pay higher prices for authorized copies, anti-piracy laws (I'm sure they must exist) will be better enforced.
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